Bringing their sophisticated blend of soul jazz and contemporary expressions to our intimate stage

Doors 5 pm | Show at 6 pm

TICKETS ON SALE SUNDAY 13 APRIL @ 9 AM

Duke of George presents

The Michael Pignéguy Sextet plus Special Guests

"A masterclass in sonic storytelling." — MusicEarshot.com

"An impressive combination of polish, verve and drive." — Soundscapes Magazine

"Style is currency that Michael Pignéguy's Sextet has plenty of." — Drum Media

The Duke of George proudly welcomes the return of one of Perth's most respected original jazz ensembles for what promises to be a transcendent musical experience. The Michael Pignéguy Sextet (MPS) brings their sophisticated blend of soul jazz and contemporary expressions to present a fantastic evening of imagery and storytelling.

For this extraordinary performance, the ensemble expands to seven members, featuring the return of original trombonist Chris Greive from Scotland alongside Fremantle's own percussion maestro Steve Richter on vibraphone. Richter will pay homage to the legendary Roy Ayers, infusing the evening with vibrant soul jazz energy that perfectly complements the Duke's heritage of exceptional jazz and blues.

Acclaimed vocalist Sian Brown makes a special guest appearance, performing from her internationally praised 2025 release "West Bank Moon," which critics have described as "an immersive journey through jazz's more cinematic and expressive landscapes."

Led by drummer Michael Pignéguy and featuring Russell Holmes (piano), Pete Jeavons (bass), Ricki Malet (trumpet), and Marc Osborne (tenor sax), this ensemble represents the epitome of Western Australia's jazz talent, having captivated audiences across Australia, New Zealand, and the United States.

"West Bank Moon is a sonic tapestry of jazz fusion & lyrical depth" — The Concert Chronicles

"Utterly convincing... with considerable technique and brio. Chris Greive improvised with uncommon grace and fluidity." — Sydney Morning Herald

"This group burns from the first note to the last. Their infectious presence has found a resonance with audiences around Australia as well as New Orleans, Los Angeles and across the Tasman." — Beat Magazine, Melbourne