CHINESE LAUNDRY
Chinese Laundry Invites SPRAY [IRE] + KIM ANN FOXMAN [USA]
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'Chinese Laundry Invites' – A Dynamic Series Tailored to community-run events featuring local crew takeovers, record label showcases, and more exciting community-driven ideas.
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Laundry: SPRAY [Craigie Knowes]
[Prog / House / Techno]
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SPRAY | https://soundcloud.com/sprayforever
Mimi J | https://soundcloud.com/djmimij
Crane Bibulus
PJ
Initially sprouting as a reissue label project for pyro + freaky prog, the innate desire for the sound resulted in lockdown tracks and mixes, and the natural step of becoming a producer moniker/DJ. Rooted from Ireland, and now based in the ‘Hollywood for DJs’ that is Berlin, Spray has quickly made noise for seminal crews such as Radiant Love, Soulseekers Allowance and HÖR. Taste the satiating sound on the debut EP for Craigie Knowes, breaking the formulaic tendency of trance to add essential freakiness, breaks, and wigged out prog; quite the potent brew. Th ee live sound is a blend also, as on the decks Spray has one hand dusty from digging into the past, whilst the other gleams through indulging in the present. Essential for all heads-down prog movers seeking twisted momentum and glistening rhythms.
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Cave: KIM ANN FOXMAN
[House / Techno / Breaks]
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KIM ANN FOXMAN | https://soundcloud.com/kimannfoxman
Jacqui Cunningham | https://soundcloud.com/jacquicunningham
The short-story version of Kim Ann Foxman’s trajectory is pretty simple: An island-born kid dreams of a life in clubland, hits the big city and, with a little bit of luck and a lot of hard work, emerges as one of dance music’s leading figures. But it’s the details that transforms her singular tale into something far more fascinating than the standard-issue success story. After all, what other DJ can lay claim to the title of Miss Teen Filipina Hawaii? How many can say that their first job in nightlife was when in high school, serving as the in-house dancer and serving rave smoothies at an all-ages club? How many, after moving to New York by way of San Francisco in the early ’00s, can say that they helped to rejuvenate the city’s then-stale nightlife via her residency at one of the best parties ever held in a hole-in-the-wall gay bar, the Mad Clams affair? How many have tasted stardom as one of the original members of the scene-making dance-music collective Hercules and Love Affair? Exactly one, and it’s Kim Ann. But it’s a safe bet that she would have made it to where she is today without those biographical eccentricities, because her near-classical take on jacking club rhythms is hard to resist, sounding as fantastic at a full-scale mega-rave as it does at a grimy basement bash. It’s a universally appealing sound that’s taken her around the world—the past few years have seen her playing such hallowed halls as Fabric, Berghain, DC-10, Concrete and Contact, all while holding down a residency at her hometown’s Good Room. A lifetime in clubbing has informed Kim Ann’s studio work as well, with her music—much of it coming out on her own Firehouse label—synthesizing the best elements of raw house, propulsive 303 material, emotive techno and even the occasional hint of trance into a hugely satisfying whole that lives somewhere between the weird and the wonderful. And then there’s her latest project, Pleasure Planet, which sees her teaming with Andrew Potter and Brian Hersey to add sparkling touches of extraterrestrial new wave to the mix on her new sublabel, self:timer. It’s yet another twist in the continuing saga of Kim Ann Foxman—and, we’d wager, there are plenty more to come.